Of course, some would say, it's not nearly as bad as walking around the city. Add to the litter, everything from buildings to bridges to mail boxes and trucks get tagged with cryptic symbols in spray paint, as ubiquitous as a dog marking its territory. But it sort of pisses me off more in the woods. And for some reason, it made me think of something Matayoshi sensei commented on one day in the dojo after I had done a kata. I had stepped back to execute a block, but I was trying to be particularly forceful and demonstrate strong technique--I was young--so I stomped the floor loudly. And I did it again on the other side of the kata, so there could be no mistaking my intention, though in retrospect I'm not at all sure what my intention was. After I finished, Matayoshi sensei told me that one should never be "loud" when executing a block. He said being loud was okay for an attack, but not for a block or when you were retreating. Your opponent would know where you were, he said. Hum...
|Returning to the double-arm kamae|
after the "punch" in Seisan kata.
|Beginning of the fourth sequence in|
Or like the beginning of the fourth sequence in Seipai kata, where you are advancing to the southeast corner of the kata with a left block and a right open-hand attack in renoji dachi. The circular forearm block (executed in a clockwise direction) intercepts the attacker's right punch (or grab) and merely moves around it until it ends in a down position. That's why so many see it as a block of a kick, because it ends in the down position. I recently came across a video of a teacher I have the utmost respect for demonstrating this technique against a front kick--blocking and hooking the kick and then grabbing the opponent, sweeping his supporting leg, and dropping him on the ground.
It's funny that most schools see this technique as the block and grab of an opponent's kick. The
|Receiving the opponent's attack|
in the fourth sequence of Seipai.
But if you're intercepting the opponent's punch on the outside and moving to the inside with the circular motion of the "blocking" arm, it's sort of effortless. Then, without pausing, you step in with the right foot along the outside of the opponent's right leg (in the first of these Seipai techniques), carrying the head with the right hand, and do a sort of judo-like hip throw. And, done this way, it all requires very little physical strength, very little for your opponent to "read." So many of the receiving techniques of Goju-ryu are like this; they don't leave a trace for the opponent to sense where you've been or where you might be going...unlike some of the trails through the woods these days.